Vyacheslav Ivanov’s “Russian Idea” in the Context of his Philosophy of Culture: an Attempt of Interpretation “The Tale of Tsarevich Svetomir”

Abstract

The author refers to the most “mysterious” work of Vyacheslav Ivanov which was essentially his testament. It is shown that “The Tale of Tsarevich Svetomir” is the quintessence of Ivanov’s philosophical worldview. The author maintains that some key concepts of Ivanov’s cultural philosophy find their artistic embod­iment in the “Tale”: symbol, myth, Russian idea, element. The author examines the genre classification of the “Tale” and concludes that the Ivanov’s choice of the genre of the work was determined by the use of folklore material in the framework of modernist literary experiments, which is characteristic of the poet­ics of Silver Age. The distinctive features of Ivanov's symbolism in relation to the artistic trends of the Silver Age are also indicated. The mythological form of the “Tale” reflects Ivanov's philosophy of mythology which can be therefore un­derstood as a structure-forming principle of the artwork. This makes it possible to use the basic concepts of Ivanovs’s symbolism as hermeneutic keys to “The Tale of Tsarevich Svetomir”. The final part of the article justifies the hy­pothesis that the Russian idea qua myth constitutes the main content of “The Tale of Tsarevich Svetomir”